![in the company of women pdf grace bonney in the company of women pdf grace bonney](https://static.wixstatic.com/media/00b048_847164ef0b8a4e0ba3c5ea809f7b0706~mv2.jpg)
Toward the end of her life, Bonney donated her estate of furniture to her Alma mater in Berkeley, California, and photographs and negatives - many duplicates of one another - to a number of other institutions in the U.S. Other activities included serving with the Croix-rouge (French International Red Cross). A collection of the images were shown at The Museum of Modern Art in New York City in 1940 and later published in her 1943 book Europe's Children.
![in the company of women pdf grace bonney in the company of women pdf grace bonney](https://img.yumpu.com/30969027/1/500x640/script-pdf-the-rude-mechanicals.jpg)
She also traveled through western Europe during the war, taking photographs of children in dire conditions. For her documentation of this demographic, she was granted the Order of the White Rose of Finland medal for bravery. Her early photographs focused at first on the individuals at the Russian-Finnish front. Her concerns with the ravages caused by World War II informed her images, which focused on civilians. While in the Netherlands, she collected images of contemporary Dutch architecture.Īfter her decade-and-a-half activities in publicity and the photography of the decorative arts and architecture by others, Bonney took up photography herself and became a photojournalist. She attended the 1930 "Stockholmsutstäliningen" ( Stockholm Exhibition) and gathered photographs there. These photographs, sometimes garnered without permissions, were widely published - both with and without published credits. She typed captions and glued them to the backs of the photographic prints. (a small-effort precursor to today's illustrated news agency) and charged fees for reproduction rights in a more traditional manner.
![in the company of women pdf grace bonney in the company of women pdf grace bonney](https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1394320359l/8975000.jpg)
She sold the photographic prints to various client-subscribers primarily in the U.S. An ardent self-publicist, Bonney acquired the images directly from the Salon exhibitions, stores, manufacturers, architects, and designers of furniture, ceramics, jewelry, and other applied arts as well as architecture. At this time, most of the photographs were not taken by Bonney herself, but rather gathered from sources such as the collections of fellow photographers, photo agencies, architects, designers, stores, and various establishments. Career īeginning in 1925, she thoroughly documented the French decorative arts through photography. After graduation she received multiple sources of financial aid, including the Horatio Stebbins Scholarship the Belknap, Baudrillart, and Billy Fellowships and the Carl Schurz Memorial Foundation Oberländer grant in 1936, which allowed her to study German contributions to the history of photography. She was also the first American to receive a scholarship from the Sorbonne. She thus became the youngest person, the fourth woman, and the tenth American of either sex to earn the degree from the institution. She earned a docteur-des-lettres degree in 1921. She settled in Paris and studied at the Sorbonne from 1918–1919, publishing a thesis on the moral ideas in the theater of Alexandre Dumas, père. Bonney earned a Bachelor of Arts degree at the University of California, Berkeley in 1916 and a master's degree the following year from Radcliffe College in Cambridge, Massachusetts.